"Olivier Mosset has always been closely engaged with abstraction and the history of abstraction"
Olivier Mosset (b.1944) is one of the central figures in post-war abstract painting, and a pivotal reference for generations of European and American painters. Associated with Daniel Buren, Michel Parmentier, and Niele Toroni, he was a member of the ephemeral B.M.P.T. "group." His extensive series of circle paintings, executed in the late 1960s and early 1970s, is among the most widely discussed works of that era.
In the heady climate of Paris pre-May ’68, the four painters organised “manifestations” rather than exhibitions and adopted a stance in opposition to the European tradition of “cultivated painting,” whether figurative or abstract. As critic Bob Nickas has observed, Olivier Mosset has always been closely engaged with abstraction and the history of abstraction: “his approach considers painting in terms of production and reception, while acknowledging its social and political dimensions.”