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Love me tender 232, 2019
Du 9 au 26 juillet 2020
Galerie Les filles du calvaire
From February 15th to June 1st 2020
Musée des Beaux-Arts Le Locle
From November 16th to February 9th 2020
Dutch Fotomuseum, Rotterdam
Fair from 20 september to 29 september 2019
Cadaqués, Espagne
Exhibition from 18 May to 15 June 2019
Galerie Les filles du calvaire
From September 26th to December 8th 2018
Ffotogallery, Cardiff
From 24th June to 30th September
ANTWERP PHOTO, International Photography Festival, Belgium
From November 8th 2017 to January 7th 2018
Le Château d'Eau, Toulouse
Exhibiton from December 2nd 2016 to January 14th 2017
Galerie Les filles du calvaire
From 29th may to 31st august 2016
Arendt House, Luxembourg
Exhibition from May 10th to June 18th 2016
Galerie Les filles du calvaire
Exhibition from 5th september 2019
Galerie Fifty One, Anvers (Belgique)
Born in Ronse in Belgium
Lives in Antwerp
Katrien de Blauwer has become a master in the art of “cutting”, a term that defines her practice better than “collage”, since the latter fails to express her mastery of composition and the formal impact of her creations. In fact, her artworks are not collages in the usual sense. They are not about associating fragments in order to recreate images like the surrealists did for instance. Her artistic gesture originates from an intuitive perception and a poetical process, but her approach is conceptual and essential in nature. Katrien de Blauwer is a meticulous observer and a careful analyst of the various elements that make up a photograph whether in relation to the subject matter – how it captures a piece of reality through framing- but also to the image space – the various levels and colors it is made of. However she is not directly a photographer. She prefers to pick and extract bits and pieces from others’ photographic language in order to revive their formal value.
Katrien de Blauwer
2019
978–91–88113–25–2
Page after page they undress. Their legs laying down gracefully on a bed, resting for eternity—so it seems. Others are standing up, can you feel the warmth coming out of their skin? It seems they are dancing together from scene to scene. Inviting you to join them. Their naked bodies find refuge between the paint strokes, next to the cardboards, under the pencil marks. They will not show us their eyes, we won’t know what their faces look like. They are only bodies. Yet, can’t you feel their glance, looking right through you.
First edition of 400 copies, numbered and signed.
Dirty Scenes by Katrien De Blauwer (b. 1969, Belgian) accompanies her exhibition Love Me Tender in Paris, France at Galerie Les Filles du Calvaire, May 18–June 15, 2019
Edition LIBRARYMAN
Katrien de Blauwer
2019
978–91–88113–23–8
Following her previous book When I Was a Boy, Katrien De Blauwer (b. 1969, Belgian) continues to explore her medium of « photography without a camera » in the monograph Why I Hate Cars. After studies in painting and fashion, De Blauwer began delving into a wayward artistic practice by collecting imagery from old magazines and newspapers — as a therapeutic self investigation, of which became the foundation of her work. In creating her own collages, De Blauwer reveals an inner realm as she initiate anonymous and cinematic narrations. In this particular work, she began experimenting with paint and crayons — bearing an additional layer of colors to the stories she tells.
The book contains an excerpt written by Katrien De Blauwer, taken from one of her notebooks.
First edition of 1,000 copies. Special edition of 50 copies, numbered, in paperboard slipcase, screen printed in white, with signed and hand-drawn original print. Choice of 5 prints — 10 copies of each print.
Why I Hate Cars accompanies her exhibition Love Me Tender in Paris, France at Galerie Les Filles du Calvaire, May 18–June 15, 2019.
Edition LIBRARYMAN
Katrien de Blauwer
2016
978-2955795309
Katrien De Blauwer se désigne elle même comme une « photographe sans appareil ». L’artiste belge collecte et recycle images et photos issues de vieux magazines ou de journaux et crée à partir de ces fragments d’image d’étonnants collages évocateurs remettant au premier plan ces souvenirs effacés. Son travail est exposé dans toute l’Europe, figure dans de nombreuses publications, et est souvent mis en valeur par le New York Times.
Danny Clay est un compositeur et sculpteur de sons originaire de l’Ohio et résidant à San Francisco. L’artiste utilise des formes sonores diverses – objets trouvé, jouets musicaux, chutes analogiques ou numériques; etc. Sa musique a été éditée par Hibernate Recordings, Patient Sounds, Unknow Tone Records, Phiney, Parlour Tapes+ et Eilean Rec., entre autres.
STILLS est le fruit du dialogue entre les deux artistes.
Katrien de Blauwer
2014
978-2-9541974-1-8
Giuliana Prucca (Avarie) and me worked together on this book. The selection of collages explores the connection with Italian film director Michelangelo Antonioni.
The book was printed on two kinds of paper. At the end and the beginning of the book there where text fragments on fold out pages. The middle part of the book consisited of blow ups of the back sides of my work.
The book was printed on 750 copies and 50 of them where made into special editions. These copies have an original double page work in analogy with the notebooks in them and are signed, numbered and stamped.
Katrien de Blauwer
2012
A small book by Irish based Redfoxx Press in a limited edition of 100 numbered copies.
British Journal of Photography, February 12th 2020
DownloadKolaj magazine #28, 2020
DownloadVogue 3 june 2019 - written by Claire Beghin
DownloadAnOther, may 2019
DownloadBruzz review, 2017
DownloadParisart, novembre 2017
DownloadMarie Claire, décembre 2016
DownloadThe New York Times, août 2016
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