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Thomas
Lévy-Lasne

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Thomas Lévy-Lasne, Au Biodôme, 150 x 150 cm, huile sur toile

Thomas Lévy-Lasne, Au Biodôme, 150 x 150 cm, huile sur toile

Thomas Lévy-Lasne, Au Biodôme, 150 x 150 cm, huile sur toileÀ Pripiat, 2020 Huile sur toile 150 x 200 cmÀ Auschwitz, 2020 Huile sur toile 129,5 x 194 cmLe champ, 2021, Huile sur toile 120 x 120 cmSteack haché et pommes noisette, 2021,  huile sur toile, 33 x 40,5 cmDevant l'arbre, 2020 Huile sur toile 150 x 200 cmThomas Lévy-Lasne, 2017, Bord de mer, huile sur toile, 120 x 120 cmLiv, fusain sur papier, 2021, 40 x 60 cmNils, fusain sur papier, 2021, 40 x 60 cmNu, fusain sur papier, 2021, 40 x 60 cmThomas Lévy-Lasne, Le cinéma, 2018, 89x116cm, fusain sur papierThomas Lévy-Lasne, Le concert, fusain sur papier, 89 x 116 cmThomas Lévy-Lasne, 2016, Manifestation 05, fusain sur papier, 54 x 76 cmThomas Lévy-Lasne, 2015, Webcam 51, fusain sur papier, 12 x 15 cmThomas Lévy-Lasne, 2015, Webcam 45, fusain sur papier, 12 x 15 cmThomas Lévy-Lasne, 2016, Vertige, huile sur toile, 150 x 200cmThomas Lévy-Lasne, 2016, Pierre, huile sur toile, 130 x 97 cmThomas Lévy-Lasne, 2016, Les princesses, huile sur toile, 130 x 97 cmThomas Lévy-Lasne, 2012, Devant Kiefer, huile sur toile, 130 x 162 cmThomas Lévy-Lasne, 2012, Laetitia au lit, huile sur toile, 130 x 195 cmThomas Lévy-Lasne, 2014, Vacance, huile sur toile, 180 x 180 cmThomas Lévy-Lasne, 2015, Fête 68, aquarelle sur papier, 15 x 20 cmThomas Lévy-Lasne, 2016, Fête 76, aquarelle sur papier, 15 x 20 cmThomas Lévy-Lasne, 2014, Fête 65, aquarelle sur papier, 15 x 20 cm

Thomas Lévy-Lasne

Born in 1980 in Paris.

He lives ans works in Saint-Ouen.

He is a graduate of the Beaux-Arts de Paris, and has been a resident of the Villa Médicis 2018-2019.

Parties in watercolours, protests in charcoals, erotic webcam drawings, oil paintings of urban solitude, he approaches the most diverse and contemporary subjects in a classical manner.

“Thomas Lévy-Lasne celebrates the fact that there is something rather than nothing. Without being ostentatious, his work shows us that we can take the contemporary world by the arm and become part of art history. A painting such as Laetitia in Bed, showing a young naked woman lying down with a MacBook, is both an icon of our time and an unmistakable actualisation of Velázquez’s Venus in the Mirror. The subtle rendering of the skin and the folds of the Habitat duvet testifies to the painter’s commitment to the smallest detail. As an object of painting, a bottle of Diet Coke is no less worthy of our attention than an iPhone, tags on telephone booths, a transparent dress, plastic cups or a greedy kidney drop. To prove it to us, Lévy-Lasne imposes a very strict regime on herself: “To render everything with the same tenderness, to seek the right expression for each object.” Klaus Speidel (excerpt).

Portrait © Paul Rousteau

  • Vogue Jan 2020

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  • Thomas Lévy-Lasne : "La peinture est un lieu en amont des images"

    France Culture 31/10/2019

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  • Entretien avec Thomas Lévy-Lasne. Pensionnaire à l'Académie de France à Rome - Villa Médicis - 2019

    Le curieux des arts 07/04/2019

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